By Jennifer Ann Bates
Filling a big hole in post-Kantian philosophy, Hegel's concept of mind's eye specializes in the function of the mind's eye, and resolves the query of its obvious absence in Hegel's Phenomenology of Spirit. Jennifer Ann Bates discusses Hegel's conception of the mind's eye during the early and overdue Philosophy of Spirit lectures, and divulges dialectic among the 2 facets of the mind's eye (the "night" of inwardizing attention and the "light" of externalizing fabric) is key to inspiration and group. The complexity and intensity of Hegel's insights make this e-book crucial interpreting for somebody heavily attracted to figuring out how relevant the mind's eye is to our each thought.
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Extra resources for Hegel's Theory of Imagination (Suny Series in Hegelian Studies)
I, 227) However, the role of this wavering imagination remains something of a mystery. Let us turn for a moment to his discussion of it in “The Deduction of Presentation” which is found in the final section of the Foundation of Theoretical Science, in the Science of Knowledge. xxxiv Introduction In that Deduction, Fichte investigates the movement involved in the wavering of the imagination. The wavering occurs between the ideal and the real, between the finite and the infinite, between the Self and the Beyond.
Thus, there appears to be a contradiction: the imagination is the “sole-in-itself,” the Absolute, and yet it is also only one moment of the Absolute. Reason and imagination are the same, and yet they are different. How are we to reconcile these two claims? In the move from Kant’s view to Schelling’s and Hegel’s, we appear to have merely shifted from one kind of rift to another. In Kant there was a rift between the syntheses of the imagination and the ideas of reason. Schelling and Hegel try to move beyond this by saying that in both syntheses and ideas, what is operative is the sundering imagination.
Charlottesville: University Press of Virginia, 1993 System des transzendentalen Idealismus. Hrsg. von H. D. Brandt und P. Müller. Hamburg: Felix Meiner Verlag, 1992. PART ONE Imagination in Theory: “Subjective Authentication” ሀ CHAPTER 1 The Sundering Imagination of the Absolute (Hegel’s Earliest Works) ሀ Hegel’s earliest published works, Faith and Knowledge and the Differenzschrift, offer an imperfect account of the imagination, but one that nevertheless gets us beyond some of the problems present in Kant’s and Fichte’s view of the role of the imagination.